There Will Be Blood, Assassin's Creed 2 and A Bit Of Music

I wasn't going to write about this film to be honest because I didn't really know what to say. It's a tightly wound, overbearing piece of cinema to say the least. In many ways it trundles along for it's two and three quarter hour running time but you become spellbound by it. Most of that factor though can be attributed to Daniel Day Lewis who is sublime in this film to say the least. I feel like I need to watch it again really though to fully grasp everything going on it. But from a first viewing it's deserved all the praise it's got for me, some scenes from this film won't leave me for quite some time and the score perfectly feeds the tension at work. Glad I plucked up the courage to sit down with it, I was initially worried that this film was going to be above my understanding of high end cinema. Fortunately it turns out I underestimate my own intelligence. Or that of the film. But let's go with the former on that eh?

From high end cinema I go to the frantic mess of a narrative that is the end of Assassin's Creed 2. Not to spoil it, but the pay-off explanations at the end really are a bit of a disaster. There's one more thing that nags me about the game though. How much control do you assert over the character? Given you're supposed to be Desmond inhabiting the memory of Ezio and re-enacting his past. So in the cut-scenes is it Ezio or Desmond? How far does the control stretch? I feel like this game has pushed me into a philosophical nightmare. First Moon and now this. Probably wasn't paying attention in the cut-scenes. Should have warned of the intellectual quandaries you'll blunder into if all the information at the start is not fully understood. At least now I've got the relaxing opportunity of picking up the last 100G left in the game before sending it back. Bioshock 2 doesn't hit for a few weeks yet so still plenty of time!

Also, feeling fairly musically nostalgic lately and have been listening to a lot of the Arctic Monkeys debut. Lot of memories I've got with that record; some good, some bad. Still stunning lyrically though, a sharp wit that I don't think I appreciated as much when I first heard them. A lot of their newer matierial has left me a bit cold, I'm sure given time it's got some depth to it but their first record (or even the demos circulating long before the album) is the one I'll never forget. Might even slip you a sneaky weekly top artists chart from Last FM;

1. Arctic Monkeys (50)
2. Arcade Fire (30)
3. Radiohead (26)
4. Flying Lotus (24)
5. The Prodigy (19)